Durability is particularly valuable in art, as artists create their works to last forever. A work of art acquires true significance for most viewers over the course of its long existence. The longer a work is preserved, the more likely it is to continue to exist in the future, which directly corresponds to the Lindy effect. The history of art confirms this many times over: works by artists and photographers that are only over a hundred years old are perceived today not simply as images or forms, but have become carriers of new meanings and imprints of an era. Time layers meaning onto them, adding value in proportion to their existence. Time acts as a quality filter, cutting out the random and amplifying the significant. Therefore, artists inevitably face questions of longevity, as this directly affects the future probability of a work's fate. In this context, Ethereum is one of the most stable and reliable environments for long-term storage of information. When a work is stored entirely on the blockchain (on-chain), it ceases to depend on external factors: servers, platforms, or intermediaries. Such a work is fixed in the very structure of the network. Its form and content remain unchanged over time and cannot be altered, replaced, or rewritten by the author, owner, or third party. The use of on-chain storage in Ethereum is a choice in favor of immutability in the future, in which it will retain its identity without loss.

If suprematism represents the highest conceptual form of visual art, then kinimalism returns to its original non-objective form, separating itself from its materialistic basis. Kinimalism declares itself to be a completely autonomous idealistic art form, presenting itself as a precise mathematical description of vectors. In other words, it is an expression of the original basis of the work, that which gives rise to it. This approach opens up new possibilities not only for the perception and storage of works, but also for context-appropriate interpretation. Material suprematist works are forced to exist within a form: canvas, paints, dimensions, which effectively makes them inscribed within the limitations of material form, thereby inheriting its objectivity and fragility. Material forms, due to their short-lived existence, are also unable to depict constant movement. However, movement can be expressed mathematically, as the work itself, and interpreted in this way at any moment. The description of the movement of vectors does not require the dynamism of the basis of the work itself, so despite the static nature of the mathematical description of the work, its interpretation remains in perpetual motion. Thanks to their informational nature, kinimalistic works can be completely extracted from the interpretation of the material world and exist as pure and precise ideas. It is enough to learn the mathematical description of the work as a poem so that it remains in memory: it may be a short text that is completely identical to the original work.

Kinimalism - is creativity through the movement of absolute form. Kinimalism recognizes movement as the fundamental basis of a work and reduces minimalism to its original vector form, allowing the description of an autonomous quantum of movement. The movement of vectors becomes an ideal form. The work exists for the viewer as an exact mathematical description. The work has no size limitations and is not affected by time.