Some messages for you

If suprematism represents the highest conceptual form of visual art, then kinimalism returns to its original non-objective form, separating itself from its materialistic basis. Kinimalism declares itself to be a completely autonomous idealistic art form, presenting itself as a precise mathematical description of vectors. In other words, it is an expression of the original basis of the work, that which gives rise to it. This approach opens up new possibilities not only for the perception and storage of works, but also for context-appropriate interpretation. Material suprematist works are forced to exist within a form: canvas, paints, dimensions, which effectively makes them inscribed within the limitations of material form, thereby inheriting its objectivity and fragility. Material forms, due to their short-lived existence, are also unable to depict constant movement. However, movement can be expressed mathematically, as the work itself, and interpreted in this way at any moment. The description of the movement of vectors does not require the dynamism of the basis of the work itself, so despite the static nature of the mathematical description of the work, its interpretation remains in perpetual motion. Thanks to their informational nature, kinimalistic works can be completely extracted from the interpretation of the material world and exist as pure and precise ideas. It is enough to learn the mathematical description of the work as a poem so that it remains in memory: it may be a short text that is completely identical to the original work.

Kinimalism - is creativity through the movement of absolute form. Kinimalism recognizes movement as the fundamental basis of the work and brings minimalism to the original vector form, which allows one to describe an autonomous quantum of movement. The movement of vectors becomes an ideal form. The work exists for the viewer as an exact mathematical description. The work has no size limitations and is not affected by time.